Quarterly Classes
2008


SUNDAYS

BURLESQUE BOOT-AY CAMP–Briana “Miss B” Masterson

Sundays, October 5-November 16.  12:30-3:00 PM.  6 weeks. $165.

No class October 26.

Burlesque dancers must have poise, control, musicality, and a couple of choreographic tricks of up their elbow-length gloves! In this series, take your performance chops to the next level and learn how to seamlessly integrate burlesque concepts with choreography. Study stretch and strengthening techniques, learn basic and complex movements, and discover a thing or two about performing with, on, and around props! Best part: Burlesque Boot-ay Camp will culminate with a performance for an audience you invite. 

Briana “Miss B” Masterson jazz-walked out of the womb. By age four, she could isolate her pelvis and snap her wrists with a style that would make Bob Fosse proud. Since then, Miss B has been addicted to training and performing. Presently, she proudly holds the title of director/choreographer/physical torturer of BellaMinx Burly-Q. In addition to her burlesque addiction, Miss B enjoys a burgeoning career as an independent choreographer, dance trainer, and artistic consultant working in studios with various clients around the state. 

 

MONDAYS

SCENE STUDY––Alexander Platt

Mondays, September 22-November 10.  7:00-10:00 PM.  8 Weeks.  $210

Designed for the intermediate to advanced actor, this class focuses on moment-to-moment reality of the scene and making specific acting choices that support the text.  Please come prepared with a monologue (2 minutes or less) on the first day.  While Alex will help guide you toward great scenes, please be prepared to find scenes from contemporary scripts.  Or bring a list of your “dream scenes”—roles you’d love to play, but aren’t likely to get.  For example, if you’re a 50-something guy yearning to portray Juliet, now’s your chance! 

Alexander Platt is Artistic Director of Elemental Theatre Collective.  With Elemental Theatre he has directed six productions over the past two seasons in addition to performing.  He recently appeared as Officer Anthony in Providence Black Rep’s production of The Etymology of Bird and as Ed in Falling Up in Perishable’s 13th    Women’s Playwriting Festival.  Other credits include Judas in The Pathological Passion of the Christ (La MaMa, NYC), Caliban in The Tempest (Trinity Summer Shakespeare), Hank in Fall (Studio 42) and Roux in Marat Sade (Trinity Rep Conservatory).  Alex has an MFA in acting from Trinity Rep Conservatory. 

PLAYWRITINGDavid Eliet

Mondays, September 22-November 10.  7:00-10:00 PM.  8 weeks.  $210

For everyone interested in writing plays, from the beginner to the more seasoned writer. There are in-class and weekly assignments.  At each meeting you have the option of working on your own material, trying the weekly challenge–or both. Class participants may bring in material they are working on for readings and feed back by other class members.  On the last week, actors will join us to read the scripts in progress. 

David Eliet is a playwright, director and theatre educator. He was the founding artistic director of The Perishable Theatre, director of the Cleveland Play House Lab Company, and the Circle In The Square Suitcase Theatre and Acting Ensemble.  He was the a cofounder of The Trinity Rep Conservatory.  David recently returned from Ukraine where he was a Fulbright Scholar at the Kirovohrad Social Pedagogical Institute and Pedagogical University.  He was the 2007 RISCA Playwriting Fellow. 

 


TUESDAYS

INTRO TO ACTINGConnie Crawford

Tuesdays, September 23-November 11.  7:00-10:00 PM.  8 Weeks.  $210

Have you always felt that you could light up the stage, if only given the chance?  This is a fundamental course for anyone interested in acting on stage or screen.  It focuses on basic skills using exercises, improvisation, monologue work, and scene study.  Some work outside class is required, but no prior experience is necessary.  You’ll finish the class prepared for more in depth training and your first auditions—and you’ll have a great time along the way. 

Connie Crawford has done theatre everywhere from Broadway to Texas bars and even in the bathroom of a tour bus. She graduated from the Julliard School's acting program, studied with Bobby Lewis, Uta Hagen and The Groundlings.  Connie has acted, directed and written for the stage in NYC. Currently, she teaches at Brown University.  In spring 2009, she will direct The Thing That Ate My Brain...Almost for Perishable Theatre. 





WEDNESDAYS


TEEN ACTING INTENSIVEGloria Crist

Wednesdays, October 1-November 5.  4:00-6:00 PM.  6 weeks.  $150

This is a serious (yet fun!) approach to acting for the theater and film.  Techniques cover character development, scene study and learning how to best prepare for an audition.  Students will learn about head shots, resumes and song preparation for musical theater.  Each student will get many opportunities to work each week and finish the class more prepared with a professional mind set for pursuing local theater opportunities.  This is a perfect class for actors who sing and singers who act!

See Gloria Crist’s Bio under Acting for the Camera 

PLAYWRITING: FINDING YOUR VOICESam Marks

Wednesdays, October 1-November 12.  7:00-10:00 PM.   6 weeks.  $165

What’s different about writing for the stage instead of a short story, poem, or novel? How can we write a play that’s compelling and powerful? Sam will get you started reading and writing plays—figuring out what they do, how they work, what excites you about them, and what kind of play you want to create.  In class, free writing will unearth your creativity.  Each student will develop a short play culminating in script-in-hand readings.  

Sam Marks’ plays have been seen or developed at such national theaters as Arena Stage, Woolly Mammoth, Portland Center Stage, New York Theater Workshop,  Manhattan Theater Club, Playwrights Horizons, The Public Theater, and A.R.T. His play The Joke was produced Off-Broadway last fall at Studio Dante.  He has taught playwriting at Brown, Harvard, Providence College, and URI.  He is a graduate of Brown’s Literary Arts program where he studied under Paula Vogel and last year he was the visiting Briggs-Copeland lecturer in Playwriting at Harvard University.